INTERTEXTUALIDADE ENTRE NARRATIVAS LITERÁRIAS, RAP CONTEMPORÂNEO E CINEMA
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https://doi.org/10.66104/6rbv8d62Palabras clave:
Intertextualidade; Rap contemporâneo; Cinema; Narrativas literárias; Sampling; Intermidialidade; Adaptação; Cultura urbana.Resumen
Este artigo investiga a intertextualidade entre narrativas literárias, rap contemporâneo e cinema, compreendendo-a como um mecanismo estruturante de produção cultural na contemporaneidade. A pesquisa parte de referenciais do dialogismo e da intertextualidade (Bakhtin, Kristeva) e da transtextualidade (Genette), articulados a estudos de adaptação e intermidialidade (Hutcheon; Stam; Rajewsky), para analisar como citações, alusões, sampling, remix e referências audiovisuais organizam sentidos e disputas simbólicas em diferentes linguagens. Os resultados apontam quatro eixos recorrentes de diálogo: (i) intertextualidade verbal e referencial, com citações e alusões a obras e personagens; (ii) intertextualidade material/sonora, baseada em sampling e montagem de arquivo; (iii) intertextualidade audiovisual, com apropriações de gêneros, enquadramentos e iconografias do cinema; e (iv) intertextualidade estrutural, em que formas narrativas (voz, focalização, temporalidade e arco dramático) circulam entre os campos. Discute-se que tais relações operam funções estéticas e políticas: constroem memória social, legitimam pertencimentos, reescrevem repertórios canônicos e disputam o direito de narrar experiências periféricas. Propõe-se, ao final, um modelo interpretativo em três modos predominantes — filiação, conflito e montagem — útil para leituras comparativas em estudos literários e culturais, bem como para práticas pedagógicas de letramento literário e midiático.
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Derechos de autor 2026 Manoel Rosa Gomes, Filiphe Chagas de Lucas, Edineia Lavandoski Bueno, Emerson Mello da Costa, Thiago Benitez de Melo, Damião de Almeida Manuel, Adria Kimie Zensque Falchione, Cristiane Aparecida Pereira de Oliveira
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